Mister Brightside – Dancing on the Edge – dir. Marshall Armstrong

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Original Film Title: Mister Brightside – Dancing on the Edge

Director’s Name: Marshall Armstrong

Writer’s Name: Marshall Armstrong

Producer: Marshall Armstrong, Sebastian Winkler

Country of Origin: Germany

Country of Filming: Germany

Language: German

Runtime: 27 minutes 50 seconds

Film Description:

Set in 1995 and 1996, Mister Brightside tells the story of Tristan Meilstein, a young rapper whose life is derailed when he is diagnosed with cancer. Faced with the reality that he may not have much time left, Tristan gives up on his dream of becoming a musician. Numb, defeated, and already mourning his own life, he resigns himself to the idea that he is going to die.

His best friend, Tyler Harris, couldn’t be more different. Tyler is a charismatic musician with an almost contagious love for life. His band is beginning to gain momentum, and for the first time, real success seems within reach. While Tyler is hungry for whatever comes next, Tristan has stopped looking toward the future altogether. Their friendship becomes a collision between two ways of seeing the world: one surrendering to death, the other refusing to waste a single second of being alive.

Caught between them is Tristan’s therapist, Dr. Winkler, who urges him to accept what is happening rather than cling to false hope. Winkler represents a sober, rational view of illness and mortality, standing in sharp contrast to Tyler’s emotional belief that every moment of life matters, no matter how few of them we are given. The conflict reaches a breaking point when Tristan begins planning his own funeral. Tyler finally loses it. In a passionate confrontation, he tells Tristan that maybe he’s asking the wrong question. Maybe life isn’t measured by how long it lasts, but by how deeply you live it.

His words stay with Tristan. He begins to understand that some people are given eighty years and never truly live a day of them. And for the first time since his diagnosis, Tristan stops counting how much time he might have left and starts asking himself what he wants to do with it. He chooses music. Despite his illness, Tristan throws himself into it completely. No backup plan. No waiting for better circumstances. No saving anything for later.

A year passes. Against all expectations, Tristan records a song that begins to take off. It finds an audience and makes its way onto music television. The dream he had already buried suddenly becomes real. And then something even more impossible happens: Tristan survives. He beats the cancer.

At the happiest moment of his life, Tristan goes to Tyler’s house to tell him in person. He wants his best friend to be the first to hear the news. But when he arrives, Tyler’s girlfriend answers the door. Tyler died in a car accident two days earlier. The cruel irony is almost impossible to comprehend: the one who was supposed to die is alive. The one who taught him how to live is gone.

In the final scene, Tristan climbs a mountain carrying his friend’s ashes. Standing above the world, he wrestles with grief, anger, and the senselessness of what has happened. There is no answer that can make Tyler’s death fair, no lesson that can make the loss hurt less. But Tristan makes a choice. He will live—not despite Tyler’s death, but for him. Because if Tyler taught him anything, it is that being alive is more than simply surviving. And by choosing to live fully—to create, to love, to hurt, to risk, to be present—Tristan carries a part of his best friend with him.

Mister Brightside – Dancing on the Edge is a story about friendship, mortality, and the strange, beautiful cruelty of being alive. At its heart is a simple realization: the value of a life cannot be measured by how long it lasts, but by how fully we inhabit the time we are given.

Suspension – dir. Turlough Ó Cinnéide

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Original Film Title: Suspension

Director’s Name: Turlough Ó Cinnéide

Writer’s Name: Turlough Ó Cinnéide, Sean McLoude

Producer: Bennett Goldberg Brown, Turlough Ó Cinnéide

Country of Origin: Ireland

Country of Filming: Ireland

Language: English

Runtime: 8 minutes 45 seconds

Film Description:

“Suspension” is a psychological thriller set inside a cable car high above the Alps. A young couple become stranded inside a cable car. Alone with their thoughts, and each other, what begins as a quiet conversation, slowly unravels into something far more unsettling.

Un contre courant – dir. Frédéric-Guillaume PARUTA

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Original Film Title: Un contre courant

Director’s Name: Frédéric-Guillaume PARUTA

Writer’s Name: Frédéric-Guillaume PARUTA

Producer: Frédéric-Guillaume PARUTA

Country of Origin: France, Martinique

Country of Filming: Martinique

Language: French

Runtime: 7 minutes

Film Description:

Emma and Alexandre, a young couple, set off on an adventure in the south of Martinique. Their unexpected stop at a gas station turns into a nightmare.

But nothing is what it seems.

Destined – dir. Sheldon Armstrong

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Original Film Title: Destined

Director’s Name: Sheldon Armstrong

Writer’s Name: Sheldon Armstrong, Miguel Francisco, Mark Esper

Producer: Miguel Francisco, Paul Rositzka

Country of Origin: Germany

Country of Filming: Germany

Language: English

Runtime: 14 minutes 19 seconds

Film Description:

A lone woman pushes a wheelchair-bound man through a dead world where trust CAN BE fatal. When they are discovered by a survivor camp, desperation collides with suspicion. Supplies are scarce. Tempers are raw. And survival means deciding who deserves to live another night.

Inside the camp, cracks appear fast. Anderson, a volatile enforcer, challenges the leader’s mercy. Deborah’s story doesn’t quite add up. As infected close in and rescue grows uncertain, the group must decide whether compassion is strength or a liability.

What begins as sanctuary turns into a trap. Deborah and Michael reveal themselves not as victims, but hunters tracking the men who destroyed their lives. When Anderson’s true history surfaces, All alliances shatter. In the end, survival isn’t about humanity but who you’LL become when the world is already gone.

Runaway – dir. David Laňka

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Original Film Title: Runaway

Director’s Name: David Laňka

Writer’s Name: David Laňka, Ota Hofman

Producer: David Laňka

Country of Origin: Czechia

Country of Filming: Czechia

Language: Czech

Runtime: 1 hour 25 minutes

Film Description:

Ten-year-old Sasha ran away from home after being suspected of setting a barn on fire with his friends. Seventeen-year-old Ruda escaped from a children’s home after attacking a nurse. They meet in Sasha’s grandfather’s garden house, and their paths would soon diverge—unless Sasha discovers that it was Ruda who actually set the barn on fire, and decides to force him to confess to the police so that he and his friends won’t be punished.

However, Ruda has no intention of confessing. He wants to leave—leave this country and escape his life in children’s homes. And to make sure Sasha doesn’t ruin his plan, he takes him with him… as something like a hostage.

Echoes Of Faith: The Gajan Legacy of Singi – dir. Ipsita Guha

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Original Film Title: Echoes Of Faith: The Gajan Legacy of Singi

Director’s Name: Ipsita Guha

Writer’s Name: Ipsita Guha

Producer: Ipsita Guha

Country of Origin: India

Country of Filming: India

Language: Bengali

Runtime: 29 minutes 58 seconds

Film Description:

This film is an authentic documentation of one of the most intense traditional festivals of the marginalised Hindu community of Bengal. Set in the rural heart of the Singi village of East Burdawan district, this film on Gajan festival is actually a brief journey of the social mass who had been kept dissociated from the mainstream Vedic Hindu rituals from time immemorial. Through local voices and detailed visuals, this ground level story telling is actually a testimonial for future generations who will come to know about these people and how did they pave their own path to the main stream Hindu God Shiva by walking twenty-six kilometre barefoot in a single day.
Fast urbanisation, economic intolerance, Government policies against irrational physical penance or superstitions; everything leads to the eventual narrowing down of the festival activities. Nowadays it is getting confined only within the periphery of few villages of three or four districts of Bengal. Observational story telling and personal narratives of this film aim to reveal Gajan as much more than a festival; rather it is a living expression of a collective identity.